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!!! pumping electro house mixes making its way into your direction in a very legrande - ish way! w&p by an unlisted producer who wishes to remain anonymous but is certainly a full time hero amoung the electro house shopping community

incl hannah holland remix !

we are proud to present our first release: wade lets do it ep with two awesome remixes from chad andrew and david gtronic. you always can trust the sound of these artists, but this time we have the pleasure to show a very fresh and special sound from them.

despite being an obsessive record collector for most his life, a globetrotting dj who s toured the world dozens of times over, a go-to remixer for numerous labels, both high profile and fledgling (dfa, mute, permanent vacation, warp, defected), co-owner of several imprints, lph itself being one of them, and producer behind a handful of house and disco tunes that started trickling out in the mid-aughts, jacques renault has managed to never release a true, honest to god ep comprised of originals. that s about to change with out of sync, a four- tracker that exemplifies all renault is, has been, and aspires to become —and that serves as a lead-up to his debut full-length, which will hit shelves next year

over the course of his twenty-plus-year-long career, luke solomon has made one hell of a name for himself: he has released dozens of singles and eps on labels like crosstown rebels, rekids, cajual, and playhouse, to name a few, founded his own imprint, classic, with longtime friend and co-conspirator, derrick carter, dropped four albums, and had a hand in well over 100 remixes. as one might expect, it is a tremendous honor to now welcome the veteran dj and producer to lph, where we think he fits in perfectly, despite being the artist in our ranks with the most impressive tenure.

classic classic classic nyc garage pressure from 1993 here courtesy of george morel, > lets groove< is a true anthem, a sure shot party starter that crossed over into many scenes getting spins from all the big hitters in the usa, the uk garage dons and discerning european house heads alike.
originally released on strictly rhythm this repress boasts two brand new 2014 mixes, one from george himself that strips the og right back to basics and one from newcomer steve nash who updates > lets groove< giving it a more contemporary feel.

hot lets play house output

if youve been even the most casual participant in or observer of the nyc dance music and club scene over the past decade, youve most definitely encountered luca venezia, a.k.a. curses, who once was better known as drop the lime, a central figure in the trouble & bass crew. where dtl was all stripped and chewed dubstep and grime, curses is clearly of a house bent, albeit one thats been cut with plenty of heavy bass, breakbeat-leaning drums, and a frantic energy that one wouldnt find on classic chicago 12inches.

fervent followers of lph will immediately recognize this record as the second from berlin-by-way-of-london-by-way-of-l.a. producer, urulu, to grace the label. (if you want to get technical, yes, the first did arrive via lph white, an lph imprint.)

classic deep house mixes from the one and only kerri chandler

classic kevin saunderson release re issued from 1987. re mastered for 2014.

played by nathaniel jay, clang83, jacques renault, waze & odyssey, new jack city, maverick..whilst previous editions in the vinyl only street tracks series from waze & odyssey have seen contributions from ejeca, citizen, ashworth and of course w&o themselves, this latest edition is credited simply to street tracks. hungry for more information? you could always ring the phone number that s been handstamped on each record... those who keep tabs on the series will be happy with the two tracks here which fall snugly into the no-nonsense upfront house style that waze & odyssey have been championing. across the board support on this one with everyone from mak & pasteman and moxie to richy ahmed and loco dice indulging

this is a singular, idiosyncratic piece of work unlike any other thats come out on lph. the product of polish producer, tomek matuszczak, biscuit symphony is, as its name suggests, an epic yet whimsical and bizarre journey through its auteurs eccentric-albeit charming and catchy-tendencies.

in the past year or so, lph has increasingly been turning its focus to sweden, grabbing records by hnny, m.d.c., and name in lights, and remixes from kornel kovacs and shakarchi & straneus. the labels next release, an ep by gothenburg-based newcomer, andre&#769,,,,, laos, indicates owners nik mercer and jacques renault have no intention of disassociating themselves from the nation!

lphs unpredictable sister label, lph white, is back with another juicy 12inch, one that marks the imprints first foray into japanese clubland. atsushi yano, a kobe based producer, serves up three, as the title indicates, chewy tunes, all doused with african rhythms and set ablaze with fidgety keys, chopped­up vocals, and groovy bass lines. filling the release out is jacques renaults no­nonsense, squared­up, lead­footed remix of stomping on the verge.

squarehead, a sheffield-based up-and-coming talent, is the lucky producer to nab lphs 25th release, a landmark to say the least. (as such, the label is printed with touches of silver inks.)

boston label get on down can always be counted on to produce high quality reissues of hip-hop gems, and of course this album is no exception. lord willin was the acclaimed breakthrough release by virginia duo clipse, featuring rappers pusha t and no malice, backed by the eccentric production of the neptunes. both mcs had past connections to the underground drug world, which influenced the gritty, hard-hitting street rap within. the album also featured guest spots from jadakiss, styles p, nore, fabolous, faith evans, and early-in-their career appearances from sean paul, kelis, and lil wayne. get on down now presents the album, fully re-mastered and re-constructed on double vinyl, after long being out of print in the format.

lphs second record of the year is quite a doozy. once again, label co- founder/owner, jacques renault, steps up to the plate, equipped with some tnt laced with his special sauce.

lets play house is kicking the new year off with its own times square ball drop: francis inferno orchestras three-track solo ep, hezbolla. the wonky, off-kilter, eccentric package manages to be two disparate and often contradictory things at once: a guaranteed chaotic, debaucherous barn-burner and a deep, heady epic journey

just when you thought this release couldnt get any bigger... swedish techno god adam beyer rolls in with a gigantic remix for turbo, the first thing hes done for the canadian label since his stockholm mix sessions cd back in 2002.support by: michael mayer

about 18 months ago, lets play house released its most significant ep to date: fantastic mans *its essential*. since then, the australian producer -whose real name is mic newman - has gone on to release a handful of other records, tour the world, and even remix a song for lphs co-owner/-founder, jacques renault. a followup to the 12 inch that started it all was always in order and it is with great pleasure that we finally present it to you now!

maya jane coles, londons queen of the underground, turns in two stellar versions that take the vocal hook and attitude of the original and rework them into hypnotic deep house anthems.

for their sixth release, lets play house has headed down under to scoop up australias fantastic man, a second identity of dj/producer mic newman, with which the melbourne-based artist explores-and exposes-another side of his musical and stylistic skills. and the four original songs on the its essential ep most definitely mark a bit of a departure from newman’s trademark sounds: he has exchanged the thumping, peak-hour, hands-in-the-air chaos and messiness of hits like 2009s *sizzled sally* for a more refined and subtle breed of deep house.

lph whites latest is another made­for­the­club sureshot winner from label co­founder and ­owner jacques renault himself. if youve caught one of his sets around the world sometime this year, youve most likely heard the house banger? and consequently gone nuts. its impossible to resist the temptations of the bombastic drums, fat bass, chopped up vocals, and dubby synth hooks included within. a shining example of renault doing what he does best.

annie mac world exclusive on radio 1! supported by loco dice, sasha, sven vath, adam beyer, eric prydz & more! remixes from solomun & breach!

lets play house turns its eye back to its home country for its 21st release, a four-track ep by rhythm operator. the record commences with a collaboration between the mysterious producer and a new duo from munich, rhode & brown, called *fionas room*.

time for another successful introduction to the off roster. meet the spirit of chi thanh, a berlin based multi talented beat wizard who brings us an outstanding debut ep. lets play starts out with infectious acoustic guitars that get in groove with a driving yet deep beat and bass combo.

chicago house legend frankie knuckles with a house anthem with pop appeal , and tony humphries rmx on board

the ep starts with peace in the world, an infectious, assertive stomper that hooks you with a simple keyboard riff and vocal sample. the energy doesnt let up on runnin, though that cut is decidedly deeper and smoother. the flip finds montel turning it back up to 11 with ecstasy, a dramatic club anthem, and get down, a funky, elastic burner that closes the 12inch

finally owner pirupa (defected, klimaks, desolat) comes up with his ep on d-floor. oldschoolish primetime action flavoured with a tribalistic remix from the italoboyz

lph whites second offering picks up where the first one, by waze & odyssey, left us. that 12inch featured a remix by london-by-way-of southern-california house up-and-comer, urulu, who produced all four of the tracks included on this ep. left coast is an ode to taylor freels home turf, but dont think its all blissed-out balearic burners one might listen to while rolling down a palm tree-lined stretch of the pacific coast highway. every one of the four songs is a cranked-up, high-octane, peak-hour monster

lets pet puppies returns with a stunning release from marcus mixx. recorded in 1987, this cut screams classic chicago house! killer drums from vintage machines, soft melodies, and a bangin bassline. on the flip, the untitled cut churns out another sweet joint with a raw underground basement style.

the follow up to the coveted ghetto track from jody fingers finch brings two fantastic remixes from chicagos derrick carter. on the a-side, the bhq acid vocal mix finally sees its release and delivers a straight up jack track with the instrumental on the flip.

lets play house began the first half of 2013 with a single by label co-founder jacques renault, and now the guys are kicking off the second with three fresh remixes by international heavyweights tom trago, fantastic man (a.k.a. mic newman), and francis inferno orchestra.

lets play houses latest endeavor is a no-nonsense imprint, simply dubbed lph white, which, as the name implies, takes a cue from those mysterious, classic, unmarked dance records of years past.

back once again here is the most fabulous rampue!

lets go feat. high priest (antipop consortium) ist der ausnahmetrack des aktuellen rone-albums tohu bohu, und der erfährt nun die ganze remixpalette von clark (warp), superpoze (combien mille), rocketnumbernine (four tets partner auf text records), principles of geometry (tigersushi) und rone höchstpersönlich.

with tippy toes eponymous debut ep, lph not only puts out its first record by a previously-unreleased artist, but also delves into the world of pure, unadulterated out-of-the-box house music

lphs second release of the spring is also the nyc labels second split 12inch. but instead of featuring a couple of sun-soaked l.a.-based outfits as with cosmic kids and fingerpaints reality on the horizon ep, label heads nik mercer, jacques renault, and james friedman set out to sweden to grab three tracks by m.d.c. (otherwise known as muslim disco club) and name in lights, plus a remix by studio barnhus kornel kovacs.

one of the most original and popular artists of the current deephousescene, kolombo has gained a huge following reflected in countless gigsall over the planet. fusing elements of funk, house and hiphop, his off-debut is a trademarkproduction

with reality on the horizon, lets play house continues to prove its not afraid to push the boundaries of house music while simultaneously broadening the spectrum of talent its roster embodies. the ep features four tracks by two los angeles-based outfits who have been around for a few years, primarily as taste-maker djs—cosmic kids and fingerpaint, a.k.a. tyler blake of classix

as with their first various artist compilation ep, lets play house has chosen to grab tracks from a handful of artists both new and old to the label and party.

get the curse music 013 features oliver ho aka raudive, one half of duo the eyes in the heat. widely acclaimed for his vicious minimal techno grooves, raudives been on an machine funk bend and crafted two tracks which are as robust as they are potent. true to the gtcm philosophy, distinctions between vintage and modern, old school and new school, mind melting and bodily stimulation are brilliantly blurred. neither house, techno, ebm or synth punk, these tracks move in their own circles. the same can be said for the xenogears remix, miles away from the tired templates used and abused by most producers. fuck genres, lets dance.

here we are with the last chapter of kruse & nuernbergs excellent debut album *lets call it a day*. released last fall on lazy days, the album was cherished by the press and topped the digital sales charts of various genres from deep house to nu disco and chill out. remixers so far came in from such great talents as spirit catcher, shur-i-kan and nathan g, this time it is up to mario basanov, wolf + lamb and fred everything.

lets play house begins 2013 much as it did the label itself, with a record by co-owner, brooklyn-based dj/producer jacques renault. unlike lph001, though, which featured a runaway original, lph013 was crafted by jacques on his own. and this is not a track to skip over or sleep on—its the mans first in three years!

editions mego is happy to announce a vinyl reissue of the long out-of-print and impossibly rare final harry pussy album, the monumental >lets build a pussy<. originally released in 1998 after the band broke up, this has always been an elusive release.

huge third release on bastardo electrico from ku.bo (aka james kumo and roberto bosco) thst has gained massive dj and press reactions as below, this is not to be missed!

lets play house finishes its first full year with its 12th release, which, like the first—runaways indoor pool ep—features one original track and three remixes. the a1 comes courtesy of river & phoenix, a new nom de disque of australias young edits. earlier in 2012, he released his debut ep—castle rock—on editainment, hence the playful moniker. this song, however, is not an edit.